The lines of the church are long and clean. There are bare walls, and simple straight benches. Apart from strings of colorful triangular flags that crisscross above our heads, the only complex forms in the entire building are the people. At the front stands a tall, thin man in clerical robes. Though I do not understand most of his words, the rhythms of his speech sound familiarly pastoral. I follow along with the order of service, the Book of Common Prayer. Even though these vernacular prayers are not in my “mother tongue,” I can pick out parts simply from their form: the creed, the Lord’s prayer. Bwana, I know, is Lord, and it punctuates sentences as much in Swahili as it does in English.
The place and the worship seem very familiar and yet I know that the church–like the city in which it sits–is filled with lifetimes of experiences and words that are, at least for now, veiled from any real understanding on my part. I have heard (parts of) the stories of (some of) the people sitting here beside me, and my privileged access to education, health care, and safe roads hangs uncomfortably close to me.
But then the service moves to a meal. The bread and wine we are about to eat and drink have been taken, received, consumed, by each of us before and by so many others. It is not too mystical, perhaps, to think we are all reaching forward now to take it, separated by miles and centuries and oceans. There is a prayer of gratitude, in words I don’t understand, but from hearts I do. And a man in the chill of an Italian winter, with sandals on his feet and the threat of death in the air outside, prays. The music begins. The tune is Nothing but the Blood–the words I can only guess, their echoes in English are inside my head and sometimes slipping from my lips. A woman, living and breathing in the hot grime of nineteenth century Philadelphia, hears the claim “as white as snow” as she prepares for her turn to receive. At the front, we kneel, hands cupped. Two English men, one at a table, the other an altar, receive with joy. The voice I don’t understand tells me, I know, that this is Christ’s body, broken for me. In Mexico, in the midst of the chaos of revolution, a thin girl drinks, knowing this is Christ’s blood, shed for her. Next to me, a friend of my sister, her beautiful face full of faith, rises, knowing she is forgiven.
We are loved, and so we love. We are drawn into a union so complete–despite the fact that almost all of the accidental elements of our lives are so different–that this union is the inviolable integrity of one body. This is the love story of the church.